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I have been opening all my sets with system crash for the past year or so. Really like the atmosphere and vibe of the intro & first drop. The tune sets a good tone/pace for my the set. It was also really fun to make. I hadn’t made too many half timed 120 bpm beats so this was something new. For me it was a really fun song to write because there is so much space between the drums at 120 - so many different ways to take it. Wanted the first drop to be a heavy dubstep ish sound design, but wanted something different for the 2nd drop. Started fiddling with some arpeggios on a acid bass patch and came up with a cool pattern. For me this song was very experimental. - Shlump
credits
released June 21, 2019
System Crash’ is available everywhere Friday June 21 via WAKAAN
I don't need the members of any community discarded and body othered as a bitch, thanks of the trees for helping me realize there's no point in bass music that I need to hear someone slip the word into my eardrum. cya. BeatsaNdBuds
“Boogie Meets Beatdown” on this epic album from the mole, where ambient interludes lead into sudden and scary dark alleys. Bandcamp New & Notable Jan 29, 2023
These five tracks tell a lucid story with tones and textures, AND nearly demand you move your body during each piece.
This EP calls between critical nodes of musical DNA that link together many of my favorite parts of the electronic scene.
Good for a party with that edgy energy, a firespin, or night drive! David Rees
I keep playing and playing this over and over again. Sometimes more often than others but I always seem to come back for that inner geometric reset of the hologram 👽I feel like I’m listening to the best representation of light = electricity = what we are 🙌 been following David’s story for 20+ since London days. There’s no fav one for me, the geometry comes full circle and it’s perfect! The joy is in the mystery my fellow beings ☀️ Papas